In years past "feature walls" were a significant decorating topic - but then the idea seemed to become stale and fall out of favor. But guess what - with a host of new ideas - they're back.
After lots of back and forth discussion Massachusetts has finally decided to have a “Tax Free Weekend” on 29 and 30 August 2020. That means that this week is a great time to finalize some of those big decorating, window covering, carpeting and accessory purchases that you’ve been thinking about – but just haven’t gotten around to making.
Since there’s always a lot of confusion about the rules for the MA Tax Free Weekend here are the main points:
If you want more details straight from the Government here’s a link to their Sales Tax Holiday website’s FAQs:
So, take a look and then give me a call if you want to make some of those decorating purchases that we’ve previously discussed, or some that you just thought of. As long as the purchase is made on either the 29th or 30th there’s no sales tax – even if the product isn’t delivered or installed until a later date.
So get cracking! You’ll save at least 6.25% on your purchases – and to further entice shoppers many stores are even running other sales in conjunction with the Tax Free Weekend. I’m looking forward to hearing from you soon.
I just returned from 17 days touring the Midwest, and one of the most pleasant surprises was seeing so many farms in Wisconsin, Iowa, Indiana, Illinois, Arkansas and West Virginia with custom "Quilt Blocks" on their farms as their signature brand. Here are a few photos of some the barn Quilt Blocks that we saw during our trip (click on any photo to start the slideshow):
Although barn quilt blocks have been around for many years, there's been a spike in popularity in the past 20 years. "From humble beginnings in Adams County, Ohio, the idea has spread to 49 States with more than 9,000 barn quilts organized into more than 120 Barn Quilt Trails - and surely thousands more that are not mapped." - Suzi Parron, author of the books "Barn Quilts and the American Quilt trail Movement" and "Following the Barn Quilt Trail”.
As detailed in a John Deere Homestead article (https://www.johndeerehomestead.com/2016/09/04/barn-quilt-craze/), the Barn Quilt Block idea dates back to Maxine and Donna Sue Groves of Manchester, Ohio. “In 1989, my mother and I moved to a small farm that had an old - and very plain looking - tobacco barn,” says Donna Sue. “Mother was an avid quilter so I promised her I would brighten up the barn by adding a quilt square. Friends and neighbors chided me into actually following through and I had a Snail’s Trail quilt square painted and hung in 2001, but in the process a group of us decided to paint a bunch of them in hopes of developing a tourist attraction. We put quilt squares on twenty barns (the number of squares in a typical bed spread) and the idea took off like wildfire.”
Barn quilts are generally chosen from a family's own colorful quilt pattern that has been passed down through the years. Then the family's quilt pattern is turned into public art on their own barn or other building, and it becomes part of a quilt trail.
If you want to read more about this interesting phenomenon, here are some links to browse through:
Back in April I wrote a blog post about “Making COVID-19 Masks for My Family and Friends”. Well, quite a bit of time has passed since then and I thought that I would give everyone a quick update on my latest mask activity since I know that some of you used my information to make masks of your own.
The good news is that the final version of the masks that I settled on back in April (version 2.0) worked out really well for all my family, friends and clients. In fact, this design held up so well that the only significant change that I’ve made over the past two months was to remove the internal pocket for adding an additional filter. Everyone thought that they would use a pocket like this to insert additional filtering layers inside the mask if needed – but in practice people found that they did not actually add any additional filters.
Based on that input I’ve continued to make bunches and bunches of masks over the past two months for family, friends, acquaintances from church and for clients that requested them. The version 2.0 mask design has held up really well, and the wearers really like the tight custom fit and the piece of floral wire I added at the nose (top of the mask) so the mask could fit tighter on the face and not fog the wearer’s glasses.
So, for my Version 3.0 masks I’ve removed the internal pocket and focused on refining my pattern and process to make masks that come in a variety of sizes so that they can more tightly fit a wide range of face sizes. I’ve also increased my mask fabric inventory so that I can make masks to fit all sorts of different styles. Here’s a picture of some of the version 3.0 masks that I most recently made.
Like I’ve previously mentioned, I’m not selling these masks, just providing them locally to my family and friends (and clients that request them) as a small token of community service. Hopefully you are all in good health and good spirits as Summer gets into full swing and we get the COVID-19 mess behind us.
It’s Summer – Hooray!! At my house that comes with having morning coffee on my back deck and listening to all the sounds of Nature; woodpeckers, cicadas, scampering chipmunks, and last week, even a deer, bunny, snake and woodchuck roaming through our wooded backyard. A veritable “Wild Kingdom” in the suburbs.
One thing that I like to do while I’m drinking my coffee is catch-up on all of the latest blog posts from other designers. I always enjoy, and benefit from, my colleagues techniques, insights, advice and wisdom. Since I’m on my back porch I read their postings from my iPhone – probably like most of you these days.
This morning while browsing I looked at my own website and noticed that on the iPhone it’s not readily apparent that I’ve published 97 posts over the past 3 years. So I thought that I would use today’s post to highlight that and to show you how to search all of my blog posts from your phone.
Once you are on the Center Stage Interior Designs website, if you click on the menu in the upper right hand corner (commonly referred to as a “hamburger menu” because of the three parallel lines) and select “Blog” you will be taken to a page with my 10 latest blog posts. If you want to see a blog post that was published before these last 10 posts, simply click on the “<<Previous” icon (located underneath the last post on the left-hand side). This will take you to a page with the previous 10 posts. You can then navigate backward or forward in time by clicking on either the “<<Previous” icon or the “Forward>>” icon.
Hopefully these hints will make it easier for you to find what you’re looking for on my website – since with 97 posts there’s a lot of to look at. The Category, Archive and Search functions all exist on the desktop version of my website too – but since the screen is so much larger these functions are pretty obvious – so I won’t discuss them here.
As always, it you have any questions or comments, please feel free to drop me a line through my “Contact Us” page or by calling me at 978-440-7264. Until next time, I hope that your Summer is off to a great start.
I'm always on the lookout for suppliers that have great products that meet my client's needs. To that end, this week I added Schumacher to my list of vetted vendors.
Although they have products in many areas (to include Fabric, Wallcovering, Trim, Bed & Bath, Furniture, Rugs & Carpets), I specifically added Schumacher as a vendor to increase my high-end fabric and wallcovering offerings.
For those of you not familiar with them, F. Schumacher & Company started in the design business in New York City in 1889. Schumacher is currently a fifth generation business that is still privately owned and managed by the direct descendants of its founder; Frederic Schumacher. The company sells fabrics, wallcoverings, trimmings, furnishings, and floor coverings under two brands (Schumacher & Patterson, and Flynn & Martin).
Schumacher designs and manufactures decorative fabrics for residences and other interiors. They specialize in historic reproductions, oriental rugs, exclusive designs by Wilton, custom designed handmade rugs, and rugs which are tufted by hand. They sell exclusively to Interior Designers via their network of sales people and showrooms located throughout the world. Schumacher currently maintains 18 showrooms in several countries (to include a local showroom at the Boston Design Center).
Over the years Schumacher wallcoverings and fabrics have been used in numerous Hollywood movies - from "Gone With the Wind" in 1939 to more recently "The Age of Innocence" (1993), "Washington Square" (1996), and "Atonement" (2007).
Schumacher has also supplied textiles to the White House, the Chambers of the United States Supreme Court, the Smithsonian Institution and the New York City Metropolitan Opera.
Here are the links to Schumacher’s online Fabric and Wallcovering catalogs just in case you have some free time to browse and want to take a peek.
As always, if you have any questions, want to see samples from Schumacher, or want to tour their Boston Design Center showroom just drop me a line or give me a call.
I recently read that the COVID-19 shutdown has spurred a significant boost in home improvement projects. I guess that there’s always a silver lining if you look hard enough. Thankfully the home improvement giants like Home Depot and Lowe’s, and other smaller hardware stores, have been open to support the demand. Nothing better than fixing up your home when you’re seeing lots more of your “four walls” than you ever imagined. I’ve also noticed an amazing uptick in my website’s traffic directly related to my blog posts that discuss choosing paint colors and give general color advice. Thanks for checking out my prior blog posts in this area – it’s much appreciated.
Paint colors are a fundamental decorating issue, and one of the biggest decisions most of my clients make when they purchase a home is choosing their exterior paint color. It's a huge decision - and one that you want to get right. Along those lines, here’s a story I came across on how a family from Portland, Oregon decided on a paint color for their exterior – they let their neighbors, and then the whole internet, decide. Wow, that is way more than “second opinion!”
I’ve included a link to the original article below, but here’s a summary just in case the link disappears at some future point in time:
Oregon Family's Public Vote for New House Color Goes Viral
(by reporter Janiane Puhak of Fox News; 26 May 2020):
“There’s no place like home, so it all should be just right.
One Oregon family is dazed that a public vote for the new paint color of their house went viral on social media, with more than 2,000 entries from over 20 countries pouring in overnight.
The Landreth family of Portland recently combined a home improvement project with a learning moment for middle schooler Grace, who was tasked with completing a school project about documenting data, KOIN reports. To bring the lesson to life, the family painted five colors on the side of their house and created a QR code for passersby to scan with their smartphones, leading to a Google Doc to vote for a favorite choice for the fresh paint.
The poll exploded in popularity when neighbor Michal Naka tweeted out a photo of the project on Monday, which has since gone viral with nearly 13,000 likes and 6,300 shares.
“We went to bed last night and had about 60 people walking by, and we’re like, ’60, that’s crazy!'” Brian Landreth, Grace’s father, told KOIN on May 25. “Currently, there’s more than 2,000 entries.”
Now, through the magic of the Internet, the dad and daughter say they’ve received responses from over 20 countries around the world. Participants can rank five shades: a muted “Rocky Mountain” brown, “Wild Orchid” purple,” an “In Good Taste” slate blue,” the turquoise “Blessed Blue,” and “It’s Well” sky blue.
“Please help us decide by ranking the following colors for our house,” the survey says of the numeric grading scale. “1 being amazing and 5 being ‘I seriously can't look at that color every day.’”
Twitter commenters seem partial to the turquoise blue hue.”
My Take on the Color Options
Hmmmm….how to say this diplomatically….I’m afraid I wouldn’t choose any of the colors presented. My initial take was that the colors are all way too vivid, too “saturated” to be pleasing on the exterior of a home. Even the brown is too vivid. But I wouldn’t necessarily suggest a dark brown exterior in the suburban setting that I can discern from the photo. I must admit I’m influenced by the fact that I grew up in dark brown home in the suburbs, and I never really liked the color. When my parents changed to a pleasing white siding (when I was a teenager), it was a happy day!
For the Langreth family, if I had to choose 1 of the 5 colors that they considered, I would choose #3, the gray-blue color, but I wouldn’t have chosen that particular shade. It’s ironic that the color (from Miller Paints) is called “In Good Taste Slate Blue.”
So what’s wrong with the colors options that the Langreth family presented?
In my opinion, this is a perfect example of when you look at a small color chip, and admire a color like #4 - the turquoise “Blessed Blue,” and then you mentally extrapolate that it would be just as pleasing on the 2,000 square feet of siding on your home. Unfortunately when it covers that much surface area the color might end up being a tad too much in the end. Now, turquoise and teal are my favorite colors, so I’m a fan of this hue. But…you can see from the small patch of the exterior, that it’s too bright. Such a color needs to be very grayed down. Actually, I rarely recommend green, teal, or turquoise for the exterior of a home, but it depends on the landscape. Wooded, green grass, beach, desert, modern, urban? Too many variables for a “one size fits all” analysis of green here. Suffice to say, I would strike #4 and #5 from my list.
I remember when my husband and I were living in Colorado Springs (our first home years ago), our backyard neighbors painted their home a vivid blue. They weren’t home the day the new color went up, and of course we didn’t say anything to them. Then, about a week later, we noticed the painter came back and repainted the entire house with a more “grayed down” version. Sigh of relief…thank you, good neighbors.
What Color Did the Langreth Family Pick?
What color did the Langreth family finally choose? A week later an article from KPTV reported that “more than 150K votes from around the world” chose #4 - Blessed Blue.
Yes, the bright turquoise. Oh my! The family seems happy, and after all, they turned it into a democratic vote, very gracious.
You can get the updated story from Miller Paint's Facebook page:
As one of my on-going projects I am quite fortunate to have a client who asked for my help furnishing and decorating her historic home; located about 10 miles west of Boston. My client’s project is super unique in that her home used to be the town’s school house. Years ago the building had been divided into a duplex configuration, with her home being the right side of the old “school house.”
I just love old houses with their attendant millwork, charm, and even their very “non-square” and “non-level” idiosyncrasies. In fact, ten years ago I did quite a bit of historical decorating work at the famed Longfellow’s Wayside Inn in Sudbury, and I still enjoy unique opportunities such as this current project to saunter down the historical path, so to speak.
To give you a feel of the progress that my client and I have made using an “incremental” design and decorating process, here are some “in progress” photos of the charming school house renovation showing our gradual addition of lighting, window treatments, and furniture.
We're still working on the finishing touches. I must say that, prior to my introduction to this project, my client did a wonderful job directing the renovation of her house in a manner that preserves the very best of the features of the home, while infusing it with a current warmth and comfort factor for her family – which includes teenage sons. (click on any photo to start the slideshow):
I love what I do – and I routinely give thanks to all of my wonderful clients who allow me to explore and celebrate your homes with you.
So where were we . . . . . . . . . prior to the mask making interruption. . . . . . . . . oh yes, “composing a gallery wall and installing it easily and perfectly by yourself”.
Gallery walls are very popular these days, and for good reason. It’s fun and stylish to display your favorite art and photos rather than have them sadly tucked away awaiting “the plan” and “the time.” If you have children, you more than likely have an ever growing selection of artwork that would be delightful to display (….before your children leave for college). Additionally, with open concept house plans, we tend to have large expanses of uninterrupted walls that are virtually impossible to treat with just one or two pieces of artwork.
So, let’s assume you have lots of artwork to hang, but you haven’t tackled that project yet for a variety of reasons. If you’re concerned that your current collection of art poses too much of a commitment (fearing that “once the gallery wall is up, it can never change”), you might want to check out a terrific hanging system called the Walker Display System:
I’ve posted about the Walker system before (“How to Display Your Children’s Artwork”) and especially like that it allows for the easy reconfiguration and the addition of new art. Galleries, libraries, and shops use the Walker Display System, or other similar systems, to showcase their ever-changing displays. As shown in the photo below, it imparts a bit of a modern vibe, so consider whether that will work with your décor. But once you have that top rail installed, everything is reconfigurable, so it’s a great option for most people.
If you want to go the old-fashioned route of hanging your artwork with hooks and nails (and no connecting rods), then you have a bit more of an opportunity for placement creativity. But the issues then become (1) how to arrange your artwork for an interesting effect and (2) how to actually hang the pictures without it taking forever.
For advice on arranging your artwork, let me point you to the All Modern website which gives some terrific tips in their article titled “How to Create a Gallery Wall”. Here’s some of their advice on gathering the art for your gallery wall:
“Grab pieces from around your home, ones hidden away in the attic, or art you've collected for this purpose. Take stock of what you have and consider these factors:
What I’ll help you with today is a fast (!) and super simple way for determining exactly where to put the nails and picture hooks in the wall to achieve the overall look that you desire. Miraculously, there’s very little measuring involved.
The materials that you will need are:
Step 1: Create paper templates of your artwork.
Rollout the gridded wrapping paper and randomly lay out your artwork on the gridded side of the wrapping paper. Trace around the frame of each picture on the wrapping paper. To make rearranging the art easier I‘ve laid everything out on the carpet, which enables me to get a good view of all the artwork and the overall montage. Note: In this step-by-step process, I’m using some of my daughter’s artwork. She is prolific and it’s all beautiful.
Step 2: Flip the artwork over and label both the artwork and templates.
Labeling the pictures at this stage will help enormously. In addition, label both the front and back of the template with the number of the appropriate piece of art. I suggest you also label the number on both the front and back of the picture. Next, look at the hanging device (for example, a triangular hook, sawtooth hook, or wire that will need a few nails) for each picture. On each template, mark where the nail(s) should be placed. You will eventually transfer this point to the wall, so measure and transfer it accurately.
Step 3: Cut out all the templates that you’ve drawn.
Step 4: We now have our templates.
Don’t skip this template stage. It’s very important since the templates show the positions of the nails that will eventually go into the wall. Having these templates also allows you to easily try out alternate arrangements - either on the wrapping paper on the floor - or actually on the wall using blue painter’s tape to temporarily hang the templates.
Step 5: Roll out more wrapping paper - wide enough for the gallery wall - and try out different arrangements with the artwork.
Based on the test arrangements that you made using the templates on the wall, place your artwork on the rolled out paper as it pleases you. If you haven’t tried out different arrangements on the wall, then play with different arrangements on the rolled out paper using either the artwork or the templates. For this example I’ve shown a very symmetric arrangement, but asymmetric arrangements work very well and are probably preferred if you have a great deal of artwork, perhaps more than 6 pieces.
Once you’ve decided on your final configuration, trace around the picture frames so that you’ve captured the final layout on the rolled out paper.
If your gallery wall height (the vertical distance of the pictures) is large, you might need to connect two strips of paper together. If you are doing a configuration up the stairs, you will definitely need to connect papers together.
If you would like to use computer technology to play with different layouts (instead of paper), you can take a photo of the arrangement and Photoshop or PowerPoint it onto a picture of your wall. I have rendering software that will easily do this. So, if you want some help send me a photo of your wall, the size (width) of the wall, and a photo of the wrapping paper with the pictures placed upon it. Give me the dimensions of the wrapping paper, and I will scale your photo montage accordingly and give you a rendering of your proposed configuration.
Step 6: Remove the pictures from the rolled out paper.
Remove the artwork and place the appropriate template onto that picture’s space. In the example below, I place Template 2 on top of the final desired location for picture 2. Next, use an awl (or other pointy object) to push through both pieces of paper to mark where the nail should go.
Step 7: Place all templates on the rolled out paper and mark all nail spots.
Having the paper on carpet makes this an easy exercise. If you are working on a table, you can use carbon paper between the template and the rolled out paper to record the nail marks - but please, do it gently so that you don’t damage your table.
Step 8. Now you should have all of the outlines of the pictures drawn on the rolled out paper with all of the nail spots marked.
Step 9: Hang the roll of paper on the wall with blue painter’s tape, making sure the horizontal grid lines are perfectly level.
Step 10: Now you know where to hammer the nails. Make slight indentations with a nail, remove the paper, and finish the process. Hang the pictures and you’re done. Viola!
Featured Artwork was made by My Daughter
I hope you’ve enjoyed seeing a fraction of my daughter’s artwork that I used for demonstration purposes in the photos for this gallery wall tutorial. We have several gallery walls in our home with her beautiful artwork in oils, pencil, watercolor and acrylic mediums. If you’d like to see more of her art and photographs, you can see it online by going to her Redbubble shop - which I previously mentioned in my “Finding Inspiration in Your Travel Photos” blog post.
On the Redbubble site you can purchase over 75+ different types of items with artwork from over 500,000 artists printed on them (e.g. mugs, stickers, phone cases, wall art prints, T-shirts, pillows, acrylic blocks, coasters, postcards, greeting cards, tote bags, drawstring bags, water bottles, shower curtains, spiral notebooks, etc.,). We’ve enjoyed seeing where my daughter’s customers are coming from around the globe.
Amusingly, with COVID-19 currently raging, people have started buying one of her photos from the “Lord of the Rings” and “The Hobbit” movie set located in Hobbiton, New Zealand for facial masks. The photo’s of Bag End with the “No admittance except on party business” sign. Now that’s just perfect for a mask!
Who would have thought?? In any event, you might want to check out her Redbubble shop and browse around. You will of course recognize some of the originals that I used in this demonstration.
Stay healthy and productive. Drop me a note, or give me a call, if you get stuck during your efforts to create a gallery wall. I’ll be happy to help you out with a rendering if you ask.
In my previous blog, I promised this post would be about “composing a gallery wall and installing it easily and perfectly by yourself”. Well, as all of you know, these days plans change fast!
Since I wrote my previous blog, I’ve set aside my decorating efforts for a couple of days each week to make face masks for my family and friends to protect them from the COVID-19 virus when they are out and about.
I’m not selling these masks, or making them for the general public, so why am I blogging about them? Well, in short, to offer what I found out about making masks to any other people who want to make masks themselves, so that they don’t have to go through the same learning curve that I did. The US sewing community (professionals and home-sewers) have really rallied to all the calls from hospitals, nursing homes, the Surgeon General, and the whole population of the US for fabric masks to help protect individuals (regular folks like me and maybe you) with an effective face covering. We’ve been advised that because of the current shortage of Personal Protective Equipment (PPE) the “official” N-95 medical masks should be reserved for medical workers and essential personnel on the front lines fighting the COVID-19 virus. The disposable blue masks seem to be available at the present time, but they’re really only for one-time use – not a great option. So what’s the alternative? The best alternative appears to be handmade 100% cotton fabric masks that are washable.
Let me be the first to acknowledge that there are numerous patterns out there on the internet (for free, of course) for these fabric masks. If you go to YouTube and search “fabric masks” you’ll find an amazing amount of helpful advice, videos, and patterns to hand-sew or machine-sew fabric masks. All of this advice and these patterns are probably better than nothing – but there are significant differences in the protective quality and fit of the patterns. I know, since at the start of my mask making journey, I surveyed many articles and videos, and downloaded many of the patterns. After I found what looked like the best pattern, I started producing masks. That’s when I found out that some of the patterns look fine – until a person tried to put it on only to find out that it’s too bulky, too loose, has ties that won’t stay tightly tied, has elastic that’s too tight, or has some other problem that limits its wearability or breathability, adaptability to various face/head sizes proportions, or effectiveness.
Here are some photos of the masks that I’ve made to date – from my initial pleated version (which was the initial home-sewer “design of choice” because of the ease of cutting a rectangle and sewing, but had some fit and bulkiness problems) to the more fitted version that I’m sending out now to my family and friends.
Mask #1 (version 1.0): This initial design was the best of the rectangular pleated designs that debuted on the internet in early March. It looked good and seemed to have the proper attributes. To start with, I preshrunk all of the 100% cotton fabric by washing it in hot water before starting fabrication. I then made about 30 masks to send out for the “something is better than nothing stage” and to request for feedback. On this initial version, my friends and family commented that the fit wasn’t snug enough and the ties were hard to keep tightly tied. They did appreciate the fact that the outside was clearly a different fabric pattern than the inside, which made the “contaminated” side easily discernable from the side worn next to the face. They also liked that there was a way to insert additional filtering layers inside the mask if needed and that I had added a piece of floral wire at the nose (top of the mask) so the mask could fit tighter on the face and not fog the wearer’s glasses.
Mask #2 (version 1.1): This had a much more refined mask. Instead of a pleated rectangle this mask was actually more contoured and placed the pocket for adding an additional filter on the front so that the opening didn’t rub against the wearer’s face. The biggest downside was that the twill ties were still ungainly and didn’t work well for some people based on their head shape.
Mask #3 (version 1.2): This version was essentially the same mask as v1.1, but with elastic instead of twill ties. The feedback that I received on this mask was that the fit was better and the mask stayed on better. Unfortunately, since the elastic was a preset length, some people had problems wearing the masks for long periods of time because the elastic pulled on their ears.
Mask #4 (version 1.3): This version refined v1.2 by contouring the mask even more for a tighter fit and refining the filter pocket to be more streamlined.
Mask #5 (version 2.0): As I refined my mask pattern I continued to innovate and go back to the design space based on the feedback I received from my family and friends. While I was doing this a breakthrough occurred when one of my vendors, Sailrite, sent me an email detailing their mask research efforts and their discovery of what they believed to be the “best mask pattern” (https://www.sailrite.com/how-to-sew-diy-face-mask). I discussed the merits of this new pattern with my interior design and drapery workroom colleagues, as well my 92-year-old mother who had tried out my v1.0 design. In addition to lots of great comments from my colleagues, my mom provided a brilliant suggestion to make a casing (or channel) at the sides of the mask so that the elastic could be inserted through, and tied to the best length by the actual wearer, rather than cutting the elastic to length and hoping that it wasn’t too tight or too loose for the specific wearer. Once adjusted. the knot can then be moved so that it is hidden in the fabric channel. Mom’s so clever, and is the one that taught me to sew when I was 6 years old. Thanks Mom for the great suggestion!
The photos below show my current (and probably final) mask design with a close-up of the internal pocket where you can insert any type of filter (e.g. paper towel, piece of a hepa vacuum bag, piece of air filter, etc.,). This design fits snugly over the mouth and nose, but still allows for good breathability, and has adjustable elastic.
If you’re interested in what the attributes of a medical quality N95 mask are, here’s a good article to read through:
Making An N95 Mask For COVID-19 Coronavirus? What You Need To Know
So that’s it for today. Like I mentioned earlier, I’m not selling these masks, just providing them locally to my family and friends as a small effort of community service. Frankly, it has been fun to resurrect my quilt fabric stash and use up all those small bits (for good). Today I just wanted to share what I’ve learned so that others can learn from my trial-and-error process.
I’ll get to that blog post about composing a gallery wall as originally planned in the near future. Until then, stay safe and sane. We have a bright future ahead, I am sure of it, and I wish you all good health. (And wear your mask when you go to the grocery store!).
Barbara Phillips, interior designer and owner of Center Stage Interior Designs, has delivered impeccable window treatments and design services to both residential and commercial clients in Massachusetts since 2001.