Barbara Phillips
  • Home
  • Portfolio
  • Services
  • About
  • Client Journey
  • Vendors & Resources
  • Blog
  • Contact
  • Home
  • Portfolio
  • Services
  • About
  • Client Journey
  • Vendors & Resources
  • Blog
  • Contact
Search

Why I Charge a Design Fee - and Why That’s Good For You

3/18/2018

 
In today’s Interior Design landscape, there’s a great deal of free advice out there. My blog (and hundreds of other blogs) is free.  Pinterest is free.  Houzz is free.  Asking questions of Houzz designers is free.  Major furniture chains (like Ethan Allen) have designer services that are free.  All free and available at your fingertips on your computer with a few simple search terms - ready to help you redesign your home’s interior.
 
So you need to ask yourself three critical questions:
  1. With all this free advice available online, why would I pay an Interior Designer a design fee?
  2. Can I really trust all the free advice I can get from the internet?
  3. Is all the free advice going to be enough to actually turn my ideas into a physical reality?
Picture
Century Furniture showroom at Boston Design Center, one of the many trade resources clients can access through me
Well, it’s a bit of a consumer nightmare out there, sorting out the free wheat from the free chaff….and the sorting requires lots of time and energy spent by you!  Which brings me to the following list about design fees:

Why paying a design fee for a specific project is good for you:
  1. The focus is on You!  Not the “average client” of the hundreds or thousands of followers of a blogger, but you!  Wonderful and unique you and your individual home.
  2. Cements in your mind that you are ready to move forward with the project, and that you are invested in it. Like the Nike commercials say, it’s time to “Just do it.”
  3. Gives your project a necessary and helpful structure. With all my clients, I ask about your priorities, phases, immediate needs, and what you want to accomplish.  Then I document that, share it with you, and we jointly decide on a plan that is best achievable.
  4. Provides you an initial set of pricing estimates so you can make a budget, a schedule and realistic tradeoffs. 
  5. Gains you access to 95% of the fabric, wall covering, furniture, lighting and accessory resources that you don’t even know exist, but are in your price range and will make your home stand out from all the chain store offerings. Let’s face it, you don’t know what you don’t know. But a professional Interior Designer does!
 
For all these reasons, I have developed a design process that has served my clients extremely well over the past 17 years (see the “Client Journey: How We Work Together” page).  And that process includes having my clients pay a design fee up front based on a clear understanding between the client (you) and the designer (me) on the scope of the project and what the client will get for that design fee (e.g. photographic renderings, fabric swatches, wallcovering samples, paint selections, pricing, time estimates, etc.,).  As a client of any service, don’t you want to know what you are going to get, how it’s going to look and what it’s going to cost?  Of course you do!
I can think of many instances in my own personal life where I’ve paid an up-front “design fee” to start a project out on the right footing.  For example, when we were first married we moved to Colorado, purchased a new home and paid a landscape architect to draw up a detailed landscaping design. Frankly, we had no clue on the trees and shrubs that grew in Colorado’s climate, and it would have been way too laborious and inefficient for us to research it ourselves. That’s what you hire any professional for, right?   With the landscaping plans we paid for we could make informed decisions on what we were going to do and when. We ended up using that architect’s landscaping company for the major initial work and did many of the smaller jobs ourselves on a time phased approach. We were happy that we had the structure of the architect’s design plan to guide us on the overall project, the costs and the time phasing. Similarly, years ago we paid an investment advisor to perform a comprehensive financial review and design a retirement plan, with no risk of him selling us specific investment products that were more financially rewarding for him than they were for us.  We were seeking a high-quality, objective and informed professional opinion. To get that we paid a design fee to the investment advisor, and therefore spent time specifying our needs and paid attention to, and placed value on the plan that he developed.  And it’s no different with a professional Interior Designer (except Interior Design projects are way more fun!)
 
So now I’m going to make a statement that will probably make you wince:  “Nobody values decorating advice they don’t pay for.”  Yes, it’s true.  Free decorating advice from the internet is valued as much as asking your mother-in-law, sister, best friend, or pet.  Harsh words, but it’s true!  We value what we pay for…….maybe it’s because we have to invest our time in doing the research to find the right person to pay for advice. Think about it! When was the last time you took professional advice that came for free from a Doctor, Lawyer or Plumber?
 
In my opinion, if you have a significant decorating project you need interior design help and advice, and you probably know it. The good news is that this help can be extremely beneficial in terms of money and time spent, and in the happiness that comes from getting it right the first time!  As a designer who charges a design fee I can assure you that doing this aligns us and makes sure that I have your unique goals and interests at heart. I can help, and you will be amazed at what we can accomplish together! Call me at 978-440-7264 so that we can get started on the project that you keep putting off.
Picture

My Favorite Interior Design Books

12/17/2017

 
This week I thought that I would share with you my Top 11, all-time favorite, Interior Design books from my own personal library.  I am a huge fan of the printed word, and when I say printed, I mean actually printed out on paper. Cyberspace is indeed incredible for communicating the written word and gorgeous photos, but I just adore books in book form, especially ones I can curl up with. 
​
So, here are the interior design books that I reference all the time, from inspirational design to fabrication methods to architectural classification.  I’ll review each book, clockwise, starting in the lower left corner.  These are presented in no particular order in terms of how much I adore the books…it’s just too hard to choose anyway.  It was hard enough for me to pare it down to only 11!
Picture
1 and 2) The Design Directory of Bedding (2009) and The Design Directory of Window Treatments (2007) by Jackie Von Tobel
Jackie Von Tobel’s pair of books on window treatment and soft furnishing styles provides beautiful drawings that delight and inspire a designer’s imagination. I have taken several classes from Jackie, and she is a top designer in the soft furnishings field with her own line of fabrics, drapery hardware, and other décor items.  I can’t wait to see her new line of fabrics…so fun. You can find Jackie online at:
                        https://www.jackievontobel.com/
Picture
Picture
3) The Curtain Maker’s Handbook, a reprint of F.A, Morelands’s Practical Decorative Upholstery, originally published in 1889, introduction by Martha Gandy Fales
This book is quite a mathematical and historical gem from Boston’s own F.A. Moreland who was one of the few upholsterers at the time who documented their drapery formulas and patterns. Apparently, there were lots of well-guarded trade secrets in this field.  I have done many window treatments for public historical buildings in the Boston area, and this book was such a pleasure to use to make the proportions and patterns historically accurate.  
4) A Field Guide to American Architecture by Carole Rifkind (1980)
Carol Rifkind presents an invaluable compendium of photos and architectural drawings to enable classification of America’s residential, commercial, and church architectural styles.   If you are into historical architecture (yes!) this is a great reference book.
Picture
Picture
5) The Finishing Touch, Details that Make a Room Beautiful by Carol Spier, 2009
Carol Spier has written and edited several books through House Beautiful, Hearst Book, and Sterling Publishing.  This book presents beautiful photos of residential interiors that are timeless, refined, and well-appointed. I really resonate with the style of interiors in this book. And the bed on the cover?  Well, I am continually looking for such a headboard at an antique shop so I can upholster the face with nailheads just like this.  Actually, I already have this exact fabric in two different colors…go figure!
6) Interior Design and Decoration, Fourth Edition (1974) by Sherrill Whiton
This is one of my favorite textbooks from my studies at Interior Design School (at the University of California at Santa Cruz).  I refer back to it time and time again. The photos of “current” furniture presented does look pretty retro -- midcentury modern, to be exact, which is ironically in style again!  But the historical review of all furniture and decorating periods is second to none.  Sherrill Whiton also gives terrific advice on scale and proportion and color theory.
Picture
Picture
7) Elements of Style, Designing a Home and a Life by Erin Gates (2014)
I am a super fan of designer Erin Gates and have mentioned her before in my blog posts. She is a fellow Boston designer (her new offices are in Newton, MA), and I am in total synch with her style.  This book is a delight, and if you are looking for a gift for someone in the Boston area (well, anywhere), this is great idea.  I regularly read Erin’s blog at:
                   http://www.elementsofstyleblog.com/
8 and 9) Sarah Style (2014)  and At Home Sarah Style (2015) by Sarah Richardson
My all-time favorite designer, Sarah Richardson, has written two books that I recommend to anyone redecorating a residence.  She’s Canadian, and you have undoubtedly seen her on HGTV.   I love the fabrics she has designed and her overall sense of vitality, freshness, and use of textural materials in her residential interiors.  The looks she favors are particularly relevant in New England with our millwork, architecture and size and layout of rooms. 
Picture
Picture
Picture
​I had the pleasure of meeting Sarah a few years ago at a conference.  She looks great (of course!  a TV personality).  Her keynote address was so lovely and inspirational to us fabric-hounds.  I really resonated with the part in her book where she discusses how hard she has to work on a day-to-day basis as an interior designer, even one with national acclaim.  Just love her spirit, style, and solution-oriented approach.  The books are wonderful for timeless casual interiors…lots of lake-house homes.  You will smile when you read these books (and want to redecorate…)
10) An Analysis of Drapery (1819) by James Arrowsmith and The Upholsterer’s Accelerator (1833) by Thomas King, reprint of two 19th century drapery manuals from the Winterthur Library (published 1993)
Another historical book on drapery fabrication instructions from 1819 and 1833, a book that was super hard to find!  But to a purist like me who specializes in historical draperies, this book is a real treasure.  I’m not suggesting everyone would want it on their shelf, but I’m glad it’s on my shelf.   The drawings (plates) are really well-done, and the geometry involved in creating some of the drapery and valance styles sends me back to my college architectural drafting days!
Picture
Picture
11) The Essential Guide to Upholstery by Dorothy Gates (2000)
I do some light upholstery (benches and stools mostly) in my job, and have taken several classes from master upholsterer Kevin Kennedy who owns Upholstery on Broadway in Arlington, MA.

  http://www.upholsteryonbroadway.com/meettheteam/

When one of my clients needs to reupholster a chair, sofa, or other more involved project, I always send them to Kevin.

But I have found this book on upholstery fabrication by Dorothy Gates useful in my own upholstery pursuits, and I recommend it to anyone at a beginning or intermediate level. Of course taking several classes from Kevin was immeasurably invaluable, and he offers classes to the general public.  Call him!  You will be delighted by his superb instruction and helpful knowledge of furniture pieces from the historic to the modern.   
So, that’s it for my Top 11 Interior Design books.  If you are in the Sudbury MA area, you are more than welcome to borrow any of these books…just call.

​Happy reading to you, whatever the format!  
Picture

9 Signs You Need an Interior Designer

11/27/2017

 
Picture
In today’s hectic world it’s not uncommon that getting around to decorating sometimes falls to the bottom of the “to do” list. Decorating takes time and energy. Sometimes it feels like just too much work to take on. Help might be the answer. So, if you’re struggling with defining and executing your interior design vision, here are 9 indicators that it may be time for you to ask an Interior Designer to assist you. 
 
1. When you moved in, you accepted the previous owner’s paint colors that don’t quite go with your things, yet you’re reluctant to make a decision on new paint colors.  
  • Perhaps you don’t want to expend the energy required, or you’re afraid of making a bad color decision…so you think it’s good enough. A designer can help you make it your own and make it worlds better than good enough.

2. The rooms in your home don’t flow…the living room is red and Tuscan. The library is 1920’s Craftsman in navy and green. The kitchen all white and slick modern. The family room is mid-century modern with teak wood.  Oh my!  It’s like you’re at a museum and each room is from a different decorating era.   
  • Even though each room may be picture perfect, the whole ensemble doesn’t have continuity.  Sometimes a curated eclectic look can be terrific, but it needs to blend disparate things in the same room, and it all must flow together so that moving from room to room becomes an experience, a hunt for treasure, not a jarring set of transitions. You don’t want your guests to wonder as they go through the rooms, “Where are we now, Toto?”  A designer can help bring order and flow throughout your space.
 
3. There is no artwork on your walls because….you just don’t own any! 
  • If you haven’t dedicated any time to buying art, or you don’t have a confident point-of-view on art style, or you are afraid to commit to liking something well enough to hang it on your wall - perhaps you need assistance. An interior designer can help you out of your art shell by taking you to an art museum to see what moves you, introducing you to galleries and artists, and generally help you find your inspiration.  Artwork is extremely important to interior design, but it’s personal, so you have to give your designer some clues.

4. You’re 35 and you don’t have a proper bed and headboard.   Your mattresses are on the floor, and frankly, it’s getting harder and harder on your knees to get out of bed.  
  • This might indicate that you put your kids and/or job first and think of yourself last.  Your friends have beds, right?  A designer can help you create a bedroom retreat complete with an actual bedframe and headboard and it will enhance your life - better rest and better mindset!

5. You have totally bare windows in every room of your house…and/or your neighbors are making snarky remarks at the neighborhood holiday party about the “wink, wink” need for shades.  
  • Perhaps you have put off window treatments to the last, because you perceive them as only functional.  Well, not every window needs a window treatment, but about half do, especially in rooms that feel cold, have a lot of hard surfaces, and need light control.  A designer can help show you how window treatments can enhance the décor, make it feel finished and fresh, introduce pattern and color, protect the wood and furniture, let you sleep at any time of the day, and make the neighbors talk about somebody else!

6. The pillows on your sofa all came with the sofa…years ago.  
  • Maybe you haven’t felt bold enough to change out the pillows because you still think of the pillows and sofa as a “matched set.”  Please be bold!  It’s probably time to get new pillow inserts too, and you should probably get larger pillows than the itty bitty ones sofas usually come with.  At the risk of sounding like a stereotypical designer, pillows do pack a lot of design punch for a small price, so let your designer use this not-so-secret weapon!

7. You have a few “costly mistakes” around your house, probably ordered from a catalog company, and they are likely too big, too small, or too tall for your space.  
  • Lots of people find that envisioning furniture from a showroom or catalog in their space is just plain old HARD. A designer can help set you on a path that avoids costly purchases that just don’t fit.

8. You and your partner can’t agree on anything, decorating-wise.  
  • Perhaps you need a mediator…a designer who can be part magician and part psychologist.  Let’s face it, most couples don’t agree on everything to do with decorating.  A designer can listen and recommend options that reveal the common ground.   A designer wants both of you to love the space!

9. You need a wider reach than the same old stores and catalogs like Pottery Barn, Frontgate, West Elm, Serena and Lily, Crate and Barrel, Wisteria, Ballard, CB2, Rejuvenation, and Restoration Hardware.  
  • You’ve searched well and deep on your own, but you’re not finding what you are looking for.  Yep, I get all those catalogs too. In fact I often order pieces from these mainstream sources because they are generally well made and reasonable in price. My clients like and know the brands, and the vendors frequently introduce new things.  Despite the fact that your browsing sessions on these furniture websites generate pop up ads that indicate you have searched literally everywhere, there are in fact OTHER furniture, lighting, and accessory sources out there that only your designer can get you access to.  Yes, your designer has lots of other “to-the-trade” vendors that you would never know about.  And some of these vendors have terrific websites that let everyone browse around (that’s the norm these days), so you can see what’s out there – even if you need a designer to actually purchase it for you.
It all sounds pretty bleak and time consuming – doesn’t it? Rest assured, in the larger scheme of things, the time that you spend decorating will pale in comparison to the time that your decorating results will last and the enjoyment that you will receive from them. So, all is not lost. To inspire you to reach for a beautiful coherent design for your home, here are some photos of period rooms from museums we have visited during our travels. They illustrate how some elements of design are timeless, no matter the era or style.

First, two photos I took at the Nordic Museum in Stockholm, Sweden…land of Ikea and mid-century modern.  The photos show a 1974 living room in Sweden. (Gee, some of these design elements are still pretty popular.)  The second photo has a caption detailing the design elements for this 1970’s interior (thankfully in English on the bottom).
Picture
Picture
​Next, some Art Deco rooms at the Musee D’Orsay in Paris France:
Picture
Picture
​And some period French interiors (from the Louis XVI period) at the Louvre in Paris, France:
Picture
Picture
​And finally, a dining room from the summer palace of Catherine the Great outside Saint Petersburg, Russia.
Picture
We’ve completed our quick review of the 9 telltale signs that it’s time for you think about calling an Interior Designer and put your decorating project onto the front burner (with a little inspiration thrown in to keep you motivated).  

​So let me ask you, isn’t it time for you to get that decorating project that’s been on your list for a while done and get it done right?  If you are struggling with any of these issues, give me a call. I can help!
Picture

Decorating with Stripes

11/15/2017

 
​Today let’s discuss using the often overlooked stripe fabric for upholstered pieces.  Why don’t stripes get more attention in the fabric selection process?  Well, one reason is that it is exceedingly hard for most people to envision a stripe on a piece of furniture when just looking at the swatch or a bolt of fabric.  All that verticality...you start to get a bit wonky thinking the stripe will dominate and close in…jail cell mental image perhaps?  But in smaller furniture pieces, like ottomans, stools, occasional chairs (not skirted), and pillows (especially!), stripes really add zip and tailored crispness. Especially paired with a bold wallpaper, like in this Thibaut photo I just received in my email. These striped stools really finish this beautiful entry space!
Picture
​As another example, below is a fresh and inviting family room sporting several stripes, created by designer Garrison Hullinger in Portland, Oregon. 
Picture
Stripes in a coastal décor is a classic look, but note how pretty and interesting the slender stripe looks on the wing chair…I love the way your eye goes to the mitered effect on the curve of the back of the chair (which has to be perfectly matched, naturally).  The rug is a subtle and interesting stripe, with a different scale than the chair.  This is such a calming interior that really could be anywhere, mountain cabin, coastal, suburban family room.  For more inspiring interiors and stripes, here is a link to Garrison Hullinger’s Houzz site:  ​https://www.houzz.com/pro/ghid/garrison-hullinger-interior-design-inc
Below is a fan-back chair from Chairish (https://www.chairish.com/) that demonstrates a very effective way of finding the exact two colors for a striped fabric in the exact dimension you seek…make it with two different fabrics.  By the way, Chairish is a cool site that pairs sellers and buyers of vintage furniture and décor.  This center-stripe technique is perfect for updating a cherished family chair to harmonize with a casual or transitional décor.  I would caution you, though, about making the center stripe too narrow, less than 6”.  I personally am not a fan of the look where at first glance, you think it’s an actual narrow ribbon running down the chair similar to at a museum that indicates “don’t you dare sit here!”  Just saying…make the width of that center stripe scream “Yes, please do sit yourself down right here and stay awhile!” This chair from Chairish looks super inviting, like a big hug; and note that it is paired with a red and white Oriental carpet…nice!
Picture
​As a designer and fabricator, I love to use stripes in creative ways on pillows.  This summer I fashioned lots of pillows from remnants, experimenting with stripes on the diagonal and mitered effects. 
Picture
Picture
Picture
Stripes on window treatments are a natural…whether in children’s rooms, coastal settings, or more formal spaces. Below is a drapery panel treatment I did in a home office, with the subtle striped silk “pleated to pattern” (see Blog post “Pleating to Pattern”, 6/25/2017). Below that photo is a closeup of the pleat which I stitched down to further emphasize the stripe colors.   
Picture
Picture
​So, when you decorate your home I encourage you to consider using the “simple stripe” in your next décor project. Used creatively and thoughtfully, a simple stripe becomes sublime.  (Note to my readers…I don’t actually think I have ever used the term sublime in a blog before…more coffee on this cold fall morning, please!)  Happy day to you all as you prepare for Thanksgiving next week.
Picture

What is the High Point Market?

10/8/2017

 
​While we typically think of there being four seasons weather-wise and activity-wise, there are really only two grand seasons in Interior Design:  Fall Market and Spring Market in High Point, North Carolina. The High Point Market is the largest home furnishings industry trade show in the world, meeting for a week in April and a week in October every year.  What a feast for the eyes and inspiration for your decorating soul!   At Market, manufacturers, artisans, and purveyors of the perfect bring their very latest designs and products to showcase to designers, retailers, and the world…fabrics, furniture, lighting, rugs, accessories, you name it, if it goes in a home, it’s all there.  Well, maybe not sheetrock…that’s what the International Builder’s Show is all about. But you get the idea – the High Point Market is THE place to be to see what’s new in residential furnishings.
Picture
This fall’s High Point Market runs Oct 14th-18th  2017 and will involve over 2,000 exhibitors and over 75,000 attendees across 180 buildings.  Sorry to say it’s “To the trade only”, but you (and me, since I’m staying in MA this time) can take a peek at the trends and new products via their website (http://www.highpointmarket.org/) and the many bloggers who write about the event.

Here’s a press release that lists the lucky bloggers that were selected for the Design Bloggers Tour of Fall High Point Market:
High Point, NC, September 6, 2017 – “The High Point Market Authority (HPMA), in partnership with Esteem Media, is pleased to announce the participants and sponsors for the Design Bloggers Tour for Fall Market, October 14 – 18, 2017.
Returning for its fifth Market, the High Point Market Design Bloggers Tour program will bring ten (10) leading design bloggers to High Point Market for a 2-day tour of sponsoring showrooms. Participating bloggers will visit each sponsor for an up-close look at the exhibitors’ company, showroom and products during a 45-minute presentation and tour, after which they will then feature and discuss their inspiring finds on their individual blogs and social media accounts.”
The bloggers for the Fall Market include:
  • Kristie Barnett, The Decorologist, www.thedecorologist.com
  • Cecillia Cannon, Home with Keki, www.homewithkeki.com
  • Brittany Chinaglia, The Vintage Rug Shop, www.thevintagerugshop.com/blog
  • Deborah von Donop, dvd Design, www.dvdinteriordesign.com
  • Cheryl Kees Clendenon, In Detail Interiors, ​www.indetailinteriors.com/stories 
  • Courtney, French Country Cottage, www.frenchcountrycottage.net
  • Lori Dennis, Lori Dennis, Inc., www.loridennis.com/greenblog
  • Jana Platina Phipps, Trim Queen, www.trimqueen.com/trim-queen-chronicles
  • Ann Sage, annsage.com, www.annesage.com
  • Sarah Walker, The Curated House, www.thecuratedhouse.com/journal 
​I had the opportunity to meet Jana Platina Phipps, the “Trim Queen,” last year at an event at the Boston Design Center, and she is a wonderfully stylish designer and artisan who designs passementerie (trimmings such as tassels, borders, braids, gimp and fringes) and directs their manufacture in Europe.  Can’t wait to read her blog from High Point Market, as she is sure to feature fabrics and trim as well as case goods.  
Picture
So, how does Market affect the purchasing public?  Well, you can be assured all your favorite high-style brands will roll out new products in Fall and Spring to introduce at High Point.  My favorite art, mirror, and occasional table manufacturer, Uttermost, just introduced about 25% more products this week, all in preparation for High Point.  Check them out…they are beautiful and well-crafted pieces, some trendy, some timeless.

As and aside, I just love Uttermost mirrors and art, and when you need a really large piece, Uttermost is perfect.    When I saw their products in person at the Las Vegas Market last year (another market held twice a year), I was struck at the large scale of their pieces.  Love, love, love Uttermost.  You can see more at: https://www.uttermost.com/default.aspx
Picture
​In fact, during the past two weeks I have been busy setting up a design center showroom for a luxury residence community in Needham, MA (I’ll talk more about that in a future post), and I have used Uttermost artwork and lamps as shown in the photo below.   
Picture
Hopefully you now know a little more about what your designer means when they say “I’m going to Market.”  Or, very possibly they could mean the “Stop and Shop”, but I doubt it….. High Point Market with a capital M!
Picture

Interior Design Terms:  Understanding the Lingo

7/30/2017

 
I’m a fairly plain spoken person, wishing to communicate and be understood by my clients on the first go-round, rather than using esoteric industry and design terms. But we all have our trade lingo, and I’m sure I’ve thrown out a few terms during client meetings that left my clients perplexed. Mutually understood reference terms are essential to effective communication so that the “message sent” equals the “message received.”  If you are the client, and you don’t understand an interior design term that someone uses, it’s useful, and entirely appropriate, to ask, “Can you give me a specific example or visual of that style?”

So what are all those interior designers, bloggers, and magazine article writers talking about?  With the goal of more effective communication, here are some interior design definitions that get used all the time:
​​
  • ​Bespoke:   Another name for custom.  The dictionary says bespoke means “of goods, especially clothing, made to order.”  The opposite of “off-the-rack.” 
​
  • Chinoiserie:  The imitation or evocation of Chinese motifs and techniques in Western art, furniture, and architecture, especially in the 18th century.  Chinoiserie is very popular today in traditional and transitional interiors. This mirror evokes a Chinese pagoda, for sale through Bellacor Designs.  
Picture
  • Clean:  A linear and uncluttered style with no frills (Jeff Andrews).
  • Collected: Describes a space that is filled with unique pieces acquired over time, creating depth (Jason Arnold).
  • Customer’s Own Material (COM):  Describes a situation where a furniture maker or drapery workroom will make a product using fabric supplied by the customer (designer or retail client).   For furniture, acceptance of COM is key because such manufacturers will make a custom product with any material, whether they stock it, or you provide it separately.
  • Curated:  Design that incorporates distinct style with a point of view, drawing from history (definition by Grant Gibson).
  • Custom:  A unique on-of-a-kind piece that is expressly made for a singular client to that client’s specifications.
  • Elevated:  Something that is kicked up a notch or taken to another level in style or design (Jeff Andrews). 
  • Edited:  Well thought-out and organized; minimal without feeling cold (Grant Gibson).
  • Layered: Building interest in a room through various levels of elements (Karen Vidal).
  • Open Concept:  When a home is designed or remodeled so that there are no walls between the kitchen, family room, and casual eating area.   This open concept plan is featured by Timberworx Homes in California.​
Picture

  • Overdone:  When a trend has been used too much and one feels the trend needs to be in the rear-view mirror.  Can also mean an interior that is overly fussy, whether chock full of too much furniture, accessories, or competing patterns.
  • Tailored:  Something with clean lines that holds up to the test of time, not fussy (Grant Gibson).  The Barcelona chair, designed by Mies Van Der Rohe in 1929 is an example of a tailored piece of furniture.  Just as good looking and relevant today as 88 years ago.​
Picture
  • Timeless:  Design style that stays away from trends that are too “now” to avoid quickly dating (Karen Vidal).
  • To-the-Trade:  A term that means products are sold through designers and businesses connected with the design industry, and are not sold directly to the general public.  
  • Well-Appointed:  Something of exceptional quality and craftsmanship (Grant Gibson).
  • Whimsical:  Elements of design that add a sense of humor, or make someone smile (Grant Gibson).
If you’re a client and you aren’t familiar with an interior design term someone uses when speaking with you don’t be afraid to ask for clarification. In today’s fast-paced world, who has time to get lines crossed? And remember – Photos speak volumes!
Picture

Defining Popular Interior Design Styles

7/30/2017

 
These days there are five very popular interior design styles in the interior design trade: Traditional, Arts and Crafts, Mid-Century Modern, Modern and Transitional. So that you know what each of them looks like I thought that I would give you a brief overview of the defining characteristic of each design style.
Traditional
Traditional interior design reflects classic European decor. Trademarks of this style generally include deep wood tones, architectural details, and elegant furnishings. This style is quite versatile and can be combined with other interior elements to create a unique look in a room. One of the most important facets of traditional interior design is the silhouettes, also called the lines, of the furnishings. Wing-backed chairs, claw footed tables, and curved furniture pieces that reflect the 18th and 19th centuries are examples of this. Common models for such traditional furniture are pieces attributed to the Queen Anne or Chippendale styles. Antiques are also often integrated into the Traditional design style, but many companies sell new pieces that mimic the lines of the old. (from Dwell Candy)  Photo of Traditional décor by designer Jack Fhillips in Traditional Home Magazine
Picture
Arts and Crafts
The Arts and Crafts movement took off around the turn of the 20th century. Like the Art Nouveau movement, it developed as a backlash against the overwrought style of the Victorian era. It rejected the factory-produced furnishings and decorative accents that prevailed at the time, embracing instead natural beauty and traditional craftsmanship. Artisans such as Gustav Stickley (who coined the term Craftsman, sometimes used for this style) and William Morris were seminal in establishing the Arts and Crafts code, and it characterizes much of architect Frank Lloyd Wright’s work.  (from Dwell Candy). The Arts and Crafts design style is consistent throughout this home in Wayzata, Minnesota designed by SKD Architects.
Picture
Mid-Century Modern
Mid-century modern design refers to a particular design style prevalent in the 40’s, 50’s and 60’s. The goal of mid-century modern style was to bring modernism to post-war suburbs, creating structures with windows and open floor plans, in order to bring the outdoors inside. A pioneering builder of mid-century modern homes was Joseph Eichler. Popular furniture designers include Eames, Noguchi, Saarinen and Nelson. The design elements of Mid-Century Modern include simplicity, avoidance of ornamental details, and materials such as wood, plastic, stainless steel, lucite and plywood.   Mid-century modern interiors are highly influenced by Danish design, which uses teak, oak, rosewood and walnut in furniture pieces. (from Dwell Candy)   Photo shows kitchen at the Confluence House in Harlemville, NY by INC Architecture and Design.
Picture
Modern
Modern interior design derives its influences from the modern art movement that preceded modern design. In painting, Modernism began with the Impressionists and others who used abstraction. Modern interior design grew out of the decorative arts, notably Art Deco, in the late 19th and early 20th centuries. It reached its peak in the 1950’s and 1960’s, which is why designers and decorators today may refer to modern design as being “mid-century.” (from Dwell Candy).   Sometimes modern has more graphic impact, drama, and use of metal and glass than mid-century modern.  Photo of modern living room done by Patrick Cline as shown in Lonny Magazine.
Picture
Transitional, also called Young Traditional or New Traditional
Transitional interior design is a combination of traditional and contemporary design. It’s a popular design choice for those who love traditional design but want an updated space with modern influences. The design elements of Transitional Interior Design uses warm neutrals to ground the space. Colors such as cream, taupe, tan, khaki and gray are often used as a unifying palette. Patterns are usually understated as well The neutral palette allows for interesting textures to be used in transitional interior design.  Natural fibers, such as jute and seagrass, are used 
Picture
 to add dimension; a blend of shiny and matte finishes help layer a room; and leather, burlap, chenille and rattan add further interest. Transitional interior design blends masculine and feminine elements to create a comfortable space for everyone. Accessories are kept to a minimum and aren’t too fussy. Wood is used to balance softer carpets and drapes. The overall feeling of the room is comfortable. (Dwell Candy). This dining room from Lisa Peterson and Melanie Hayes in Traditional Home shows the traditional architecture in the mirrored wall cabinets, paired with the modern chandelier and industrial-like table base, all done in neutrals.
I hope this post helps you interpret the nuances of today's most popular interior design styles. If it does - great!!  If not - please don't hesitate to send me your questions. 
Picture

Proportion and Scale

6/25/2017

 
​A designer friend of mine recently asked if I had any reference material to help her determine the proper proportion and scale for pillows on a sectional sofa for a client.  “Well, yes,” I replied, “I did an article for a window coverings trade magazine a little while ago that addressed proportion and scale, and what a “pleasing proportion” is all about.”  For definition purposes, scale is the size of something in relation or comparison to other things, and proportion is the relationship of the part or parts of something to the whole).
 
So, here’s a little tidbit from that article to give you a small taste of proportion.  Spoiler alert…there is math up ahead…but it’s algebra, and you can handle it… 
It all started with those genius Greeks
Way back when the Greeks were building their masterpieces of sculpture and architecture like the Parthenon, they developed some “pleasing proportions” and a concept called the “Golden Section” or “Golden Mean.” From a geometric model, they developed a progression of numbers ― 1, 2, 3, 5, 8, 13, 21, 34 ― in which the two preceding numbers added to each other develop the next number in the progression. Thus, 1+2 makes 3, 2+3 makes 5, and so on. And this sequence forms the basis of proportions we’re all familiar with (think photo processing: 3x5, 5x8, 8x13, 13x21, etc.). They further developed the Golden Rectangle, also known as the Golden Mean, Golden Ratio and Divine Proportion. It’s a ratio or proportion defined by the number Phi (=1.618).
​
Now that we know about Phi, our magic number, how do designers apply this to concept?   Well, phi is everywhere--science, nature, human form, architecture, art, and everything beautiful, including your interiors!   In the photo from Antiquefireplace.net, we see the graphic depiction of the golden mean ratio (looks like a nautilus) overlaid on a classic door opening.  Such beautiful architecture, love that classic look and the floors.  When we’re not designing the Parthenon, we can use the proportion of .618 when we are determining where to place something, and symmetric, right smack dab at the center, isn’t right.  Think chair rail height.  Think size of rectangular pillows. Think architecture of doorways and windows.  Think placing your drapery pole either .618 of the space down from the ceiling, or up from the window (never exactly in between!)  The Golden Mean applies to anything, vertically or horizontally…a 3x5-foot table or art piece is in a pleasing proportion, as are multiples of these dimensions (a room 12x20 feet or 15x25 feet). 
Picture
The Golden Standard
The Golden Mean/Golden Ratio/Divine Proportion can be derived with a number of geometric constructions, each of which divides a line segment at the unique point where:
Picture
Picture
Phi = (a + b) / a = a / b = 1.618
If you take a line as 1, then a =.618, and b = .382
This division of a line at 0.618 makes a pleasing proportion versus an exact division of the line. Now, going back to our pleasing proportions of 3/5, 5/8, 8/13, etc, you will see these ratios are always very close to the Golden Mean of 0.618.
Summing Up
​Thanks for getting through my Math rant.  Can you tell I was a Math major for my undergraduate degree and geometry was pretty important in my mental marriage of math and design?
 
All you need to remember is .618.   Trust me.
Picture
Forward>>
    Picture

    Barbara Phillips

    Barbara Phillips, interior designer and owner of Center Stage Interior Designs, has delivered impeccable window treatments and design services to both residential and commercial clients in Massachusetts since 2001.

    Categories

    All
    Aging In Place
    All About Fabric
    Before And After
    Color Confidential
    Decorating Cycles
    Design 101
    Family Friendly
    Finding Inspiration
    Furniture Workshop
    Inside The Drapery Workroom
    New England Style
    Seasonal Decorating
    Technology In Interior Design
    Window Design
    Worth Visiting
    Your Questions Answered

    Archives

    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017

    RSS Feed

Home
Portfolio
Services
About
Client Journey
Vendors & Resources
Blog
Contact
Center Stage Interior Designs 
(978) 440-7264
Sudbury,  MA   01776

www.centerstageinteriordesigns.com  
COPYRIGHT Center Stage Interior Designs Copyright © 2001 - 2025
Privacy Policy and Copyright Disclaimer
  • Home
  • Portfolio
  • Services
  • About
  • Client Journey
  • Vendors & Resources
  • Blog
  • Contact